April 28th, 2021
Three different items “crossed my desk” this week that made me think more about the role of technology in the future of book publishing. They’re from different sources, but the messages converge. The first item was a March blog post by Benedict Evans. (His excellent free weekly newsletter is a ‘must-subscribe’; the paid version is…
January 28th, 2019
In the first post of this 3-part series on the impact of recessions on publishing industries I took a broad look at the economic expansion since the recession of 2007, pondering when the next recession will pop. There’s a challenge in assessing the impact of economic events on the publishing and entertainment industries over the…
September 18th, 2014
I last covered the topic “What Can the Music Business Teach the Book Business?” in a November, 2011 blog post. Today, in response to a fascinating blog entry on Brian O’Leary’s site I found myself revisiting the issue, leading to a comment I posted there.
May 9th, 2013
On day two of the Music Industry Metadata & Information Summit held in Los Angeles this week (run by NARM and DigitalMusic.org) Rob Weitzner laid it on the line in evoking the ever-elusive appeal of metadata. “Metadata is sexy,” he said. “because if you get paid, that’s sexy.”
May 6th, 2013
The conference brochure copy captured the event very well: A never-before seen collection of high-level working sessions and talks about very practical issues, this
two-day summit is designed to both inform newcomers about the importance of managing information
through metadata — the “plumbing” that ensures digital tracks are labeled correctly in online music
stores —…