The Future Of Publishing Blog by Thad McIlroy
April 24th, 2013
The signed and numbered edition of Haruki Murakami’s 1Q84 is limited to exactly 111 copies. The front and back covers are printed on Somerset, a 100 percent cotton archival paper, using a Swiss-made 1963 Gietz Art Platen hand-fed letterpress. The covers were handprinted by Justin Knopp at Typoretum. Text pages printed and bound by Graphicom, Verona. The text design…
April 23rd, 2013
I’ve been collecting samples of “bookish” books for a couple of years now. I think these examples can help to clarify the concept of BOOKISHNESS. There’s a whole category of lovely artist’s books, or books as art, or book arts. As beautiful and creative as they are, they’re a different creature than BOOKISHNESS.
November 9th, 2011
I’ve seen two principal schools of thought surrounding covers for e-books. Theory One: Book covers don’t really matter much any more. Theory Two: Covers for e-books still matter a lot. They matter in a different way, and we’re not quite sure what makes it different, but they certainly do matter.
October 16th, 2011
Reading the New York Times article about the e-book version of Julia Child’s classic Mastering the Art of French Cooking you’d think that a milestone had been reached in the struggle for high-quality e-books. This 1961 book is one of the classics, and the publisher had a tradition to uphold. Cookbooks have not been a…
January 24th, 2011
1. Read the article in today’s New York Times. It’s about a remarkable new structure in Miami’s South Beach. 2. Go to the new building’s web site, and click on this graphic: 3. After the well-designed flash images flash by, take time to interact with every graphic you can click on. Unlike so many sites that feature…